My residency at Signal Culture

Signal Culture

While loitering around the ITP floor last summer, I was dumping all my future employment trauma's on my professor Ali. He thought for a moment and and consoled me with a “Would you want to do a residency in Colorado?”. Little did he know that I <3 Colorado. Big time! Nearly six months later I was still unemployed (still am now!) but I just had the best week at Signal Culture.

Signal Culture is an organization that “encourages creation of new work, building of community, and connection to history in the field of experimental media art by providing artists, researchers, and innovators with residencies, resources, and exhibition opportunities”. They offer three different residencies for artists, toolmakers, and researchers. The co-founders, Debora and Jason Bernagozzi, open up their home to multiple residents at once and welcome them to the studios at Artworks. With little idea what I was in for, I flew to Denver to do my toolmaker residency and my time coincided with the extremely talented video artist and lovely Sarah Turner.

I truly went into this completely blind, I didn’t know that both Debora and Jason are experts in experimental media and have traveled the world performing. Staying with them was so cozy, they were so accommodating. Morning coffee consisted of stories of trips to Japan, mentorship, and sharing of niche synth modules. Their studios are home to unique synthesizer and video equipment, many of which are the only ones existing. Technical questions that go unanswered can be solved by a quick call to the inventor of the system, many of which are close friends of theirs. Truly such an amazing and invaluable resource.

Some Signal Culture Machines

Since I have little experience in new media art, and none in video, I wanted to write up what I learned about the equipment I saw. Toolmaker residents don’t usually have access to the machines in the artists studio but Sarah was super kind to let me sit in on the training. Like I mentioned before, many of these machines are one of a kind (OOAK), developed by the close friends of Signal Culture, so it was really special to see how they work.

NOTE: I am no new media or video art expert. If what I explain is not right or doesn’t make sense, that is probably why.

All kinds of cameras for live video feed

Video wave output on the waveform monitor (is this just an o-scope?!)

Terms / Acronyms I came across

CRT (cathode ray tube) - a vacuum tube containing one or more electron guns, which emit electron beams that are manipulated to display images on a phosphorescent screen.

TBC (time base correction) - a technique to reduce errors caused by mechanical instability present in analog recordings on mechanical media

CV (control voltage) - a voltage signal (positive, 0, negative) that affects the behavior of another signal; “they do the exact same thing that knobs do”

Key frame - a shot that defines the starting and ending points of a smooth transition

Keying - a modulation signal takes one of a specific (predetermined) number of values at all times; transmit a digital signal over an analog channel

Jones Colorizer

The Jones Colorizer was developed by the one and only synth expert Dave Jones. This module is one of a kind (OOAK) and was gifted to Signal Culture. The knobs are used to key in different R, G, B values. You can dial in other parameters such as clip and softness which can lead to interesting color fringing effects.

NOTE: the pictures and videos of the CRT TV’s have black bars running through them due to the frame rate of my phone camera not matching with the frame rate of the TV.

You can generate oscillator signals to create control voltages that are used to modulate the video feed and you can also patch different video feeds into each other.

Jones MVIP

Screen grab from MVIP YouTube manual demonstrating bit swapping

Dave Jones’ MVIP (Mini Video Image Processor) is a Eurorack module for … processing video. You can dial in all the normal attributes like brightness and hue. It also does specialty effects like bit swapping. Through bit swapping, the video feed is digitized and the user can choose between a number of pre-programmed rearrangements of the bits that are swapped and/or inverted. The hue and brightness controls are still active which can result in these crazy, oil-spill colored images! Soooo cool!

The fifth knob controls the video processing mode. You choose how many color bits the output signal has. It also controls video effects like the degree of pixelization and colorizing with luminance.

Dave Jones MVIP on the left, Dave Jones O’Tool on the right

MIX50 Mixer

I’m preeeetty sure it’s that thing with all the patch cables sticking out of it…

The MIX50 mixer can mix up to 4 channels of video on two different busses; so many options! It has different “wipe” patterns to transition between feeds and other digital effects.

Amiga Frame Buffer

This is a real historical relic and piece of technological history. The software even runs off of floppy disks!

A frame buffer meant to display single images at a time and dump the image. It’s not usually used for moving graphics. The software is used to pick pixels of a specific value and replace them with pixels from a different frame. That’s how we achieved this repetitive, image-within-image, gif-like effect.

Runs off of floppy disks! 🤯 Look at that mouse

Hearn AB Videolab

So the Hearn synthesizer supports up to three video inputs. It has buffer control pots which function as oscillators. You can use these to overlay different video feeds and mix them. There is also a quantizing colorizer effect which maps B/W values to user defined colors. The pattern generator can be used to choose between different waveforms and map to different video feeds. Signal Culture is home to all kinds of unique video equipment, a true highlight is a compact dental cam; can you spot an eyeball closeup amongst the videos?!

Pattern generated with three different video feeds

Bernagozzi Wobbulator

This piece of equipment is definitely OOAK. The wobbulator was initially developed by Nam June Paik and Shuya Abe and made famous for being the tool with the funniest name in the world (this is a really beautiful informative video). Basically three sets of electromagnets are placed behind the screen of a CRT TV. Oscillators fed into the different electromagnets create crazy effects, collapsing the line of electrons being drawn onto the screen. The wobbulaor @ SC was courageously built by Jason Bernagozzi himself.

I mean… r u kidding me?~

Jones Raster Manipulator

This video synth is also OOAK and developed by, you guessed it, guru Jones again. It’s a device for real-time image processing and animation. Below you can see different oscillator shapes modulating the shape of the video feed. A video signal can be used as a control voltage too🤯

My stuff

After stalking the artist studio, I had to remember what I was at Signal Culture to do. I had two goals:

Hardware updates to interFACE
Learn something about analog sound synthesis

I brought with me interFACE (obviously) and a big ‘ol wire crimping kit (everything good I do I copy from my friend Bianca). Many of the connections within my step sequencer synth were either soldered in place or precariously jumper-wired together, so very precarious. And in all my time as an electrical engineer, I’ve never learned how to crimp wires and make my own connectors.

The pics were very helpful when trying to get started

Very good and nice guy tutorial showing how to wire crimp for JST

https://www.youtube.com/watch?v=D1ErLvXlOTs

Another good tutorial, but asshole guy

https://www.youtube.com/watch?v=BMtQDWCH4kQ